Stanford Uses AI To Make Holographic Displays Look Even More Like Real Life
| Virtual and augmented reality headsets are designed to place wearers directly into other environments, worlds, and experiences. While the technology is already popular among consumers for its immersive quality, there could be a future where the holographic displays look even more like real life. In their own pursuit of these better displays, the Stanford Computational Imaging Lab has combined their expertise in optics and artificial intelligence. Their most recent advances in this area are detailed in a paper published today (November 12, 2021) in |
and work that will be presented at SIGGRAPH ASIA 2021 in December.
At its core, this research confronts the fact that current augmented and virtual reality displays only show 2D images to each of the viewer’s eyes, instead of 3D – or holographic – images like we see in the real world.
“They are not perceptually realistic,” explained Gordon Wetzstein, associate professor of electrical engineering and leader of the Stanford Computational Imaging Lab. Wetzstein and his colleagues are working to come up with solutions to bridge this gap between simulation and reality while creating displays that are more visually appealing and easier on the eyes.
The research published in
details a technique for reducing a speckling distortion often seen in regular laser-based holographic displays, while the SIGGRAPH Asia paper proposes a technique to more realistically represent the physics that would apply to the 3D scene if it existed in the real world.
In the past decades, image quality for existing holographic displays has been limited. As Wetzstein explains it, researchers have been faced with the challenge of getting a holographic display to look as good as an LCD display.
One problem is that it is difficult to control the shape of light waves at the resolution of a hologram. The other major challenge hindering the creation of high-quality holographic displays is overcoming the gap between what is going on in the simulation versus what the same scene would look like in a real environment.
Previously, scientists have attempted to create algorithms to address both of these problems. Wetzstein and his colleagues also developed algorithms but did so using neural networks, a form of artificial intelligence that attempts to mimic the way the human brain learns information. They call this “
“Artificial intelligence has revolutionized pretty much all aspects of engineering and beyond,” said Wetzstein. “But in this specific area of holographic displays or computer-generated holography, people have only just started to explore AI techniques.”
Yifan Peng, a postdoctoral research fellow in the Stanford Computational Imaging Lab, is using his interdisciplinary background in both optics and computer science to help design the optical engine to go into the holographic displays.
“Only recently, with the emerging machine intelligence innovations, have we had access to the powerful tools and capabilities to make use of the advances in computer technology,” said Peng, who is co-lead author of the
paper and a co-author of the SIGGRAPH paper.
that these researchers have created involved training a neural network to mimic the real-world physics of what was happening in the display and achieved real-time images. They then paired this with a “camera-in-the-loop” calibration strategy that provides near-instantaneous feedback to inform adjustments and improvements. By creating an algorithm and calibration technique, which run in real time with the image seen, the researchers were able to create more realistic-looking visuals with better color, contrast and clarity.
The new SIGGRAPH Asia paper highlights the lab’s first application of
. This system produces high-quality, realistic representation of scenes that contain visual depth, even when parts of the scenes are intentionally depicted as far away or out-of-focus.
work uses the same camera-in-the-loop optimization strategy, paired with an artificial intelligence-inspired algorithm, to provide an improved system for holographic displays that use partially coherent light sources – LEDs and SLEDs. These light sources are attractive for their cost, size and energy requirements and they also have the potential to avoid the speckled appearance of images produced by systems that rely on coherent light sources, like lasers. But the same characteristics that help partially coherent source systems avoid speckling tend to result in blurred images with a lack of contrast. By building an algorithm specific to the physics of partially coherent light sources, the researchers have produced the first high-quality and speckle-free holographic 2D and 3D images using LEDs and SLEDs.
Wetzstein and Peng believe this coupling of emerging artificial intelligence techniques along with virtual and augmented reality will become increasingly ubiquitous in a number of industries in the coming years.
“I’m a big believer in the future of wearable computing systems and AR and VR in general, I think they’re going to have a transformative impact on people’s lives,” said Wetzstein. It might not be for the next few years, he said, but Wetzstein believes that augmented reality is the “big future.”
Though augmented virtual reality is primarily associated with gaming right now, it and augmented reality have potential use in a variety of fields, including medicine. Medical students can use augmented reality for training as well as for overlaying medical data from CT scans and MRIs directly onto the patients.
“These types of technologies are already in use for thousands of surgeries, per year,” said Wetzstein. “We envision that head-worn displays that are smaller, lighter weight and just more visually comfortable are a big part of the future of surgery planning.”
“It is very exciting to see how the computation can improve the display quality with the same hardware setup,” said Jonghyun Kim, a visiting scholar from Nvidia and co-author of both papers. “Better computation can make a better display, which can be a game changer for the display industry.”
Nov 12th, 2021